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A Decade of Hits 1969-1979

A Decade of Hits 1969-1979

»rank: 845

by: The Allman Brothers Band


: :With their dueling guitar leads and harmonies built on a double drummer foundation, the Allman Brothers Band cast the mold for the southern rock sound that would proliferate in the '70s. Virtuoso musicians, their songs drew upon a number of southern influences, including country, the blues, New 0rleans jazz, and even gospel, creating a sound that was distinctly theirs. Decade of Hits is a great catalog of the Allman's at their guitar wielding best. The sweet, infectious harmonies on the instrumental 'Jessica' have ...

The Allman Brothers at Fillmore East

The Allman Brothers at Fillmore East

»rank: 1370

by: The Allman Brothers Band


: essential recording:There has never been a better showcase for improvisational rock than this 1971 concert recording, and few (if any) live rock albums are in its rank. With only two studio albums (and plenty of touring) under their belt, the Georgia sextet tore into the Fillmore East with road-tested buoyancy. Titanic guitarist Duane Allman was at the peak of his powers, pushing his foil, Dickey Betts, to unsurpassed peaks. Vocalist-keyboardist Gregg Allman would have been a star in any other setting; here ...

The Definitive Collection

The Definitive Collection

»rank: 2075

by: Muddy Waters


: essential recording:There has never been a better showcase for improvisational rock than this 1971 concert recording, and few (if any) live rock albums are in its rank. With only two studio albums (and plenty of touring) under their belt, the Georgia sextet tore into the Fillmore East with road-tested buoyancy. Titanic guitarist Duane Allman was at the peak of his powers, pushing his foil, Dickey Betts, to unsurpassed peaks. Vocalist-keyboardist Gregg Allman would have been a star in any other setting; here ...

Greatest Hits: 30 Years of Rock

Greatest Hits: 30 Years of Rock

»rank: 2762

by: George Thorogood


: essential recording:There has never been a better showcase for improvisational rock than this 1971 concert recording, and few (if any) live rock albums are in its rank. With only two studio albums (and plenty of touring) under their belt, the Georgia sextet tore into the Fillmore East with road-tested buoyancy. Titanic guitarist Duane Allman was at the peak of his powers, pushing his foil, Dickey Betts, to unsurpassed peaks. Vocalist-keyboardist Gregg Allman would have been a star in any other setting; here ...

Brothers and Sisters

Brothers and Sisters

»rank: 7973

by: The Allman Brothers Band


: :Their first full studio album without guitarist Duane, 1973's Brothers and Sisters doesn't match what came before it but would probably be considered a masterpiece if it came from most other bands. The Allman(s) move away from their rougher blues rock toward a groovier Southern rock, a shift that reflects the increased influence of Dickey Betts and new pianist Chuck Leavell. Betts contributes chestnuts such as 'Ramblin' Man,' 'Southbound,' and the classic instrumental 'Jessica,' plus the acoustic finale 'Pony Boy,' which showcases his ...

The Best of Bonnie Raitt

The Best of Bonnie Raitt

»rank: 2547

by: Bonnie Raitt


: :Their first full studio album without guitarist Duane, 1973's Brothers and Sisters doesn't match what came before it but would probably be considered a masterpiece if it came from most other bands. The Allman(s) move away from their rougher blues rock toward a groovier Southern rock, a shift that reflects the increased influence of Dickey Betts and new pianist Chuck Leavell. Betts contributes chestnuts such as 'Ramblin' Man,' 'Southbound,' and the classic instrumental 'Jessica,' plus the acoustic finale 'Pony Boy,' which showcases his ...

Eat a Peach

Eat a Peach

»rank: 3169

by: The Allman Brothers Band


:Album Details:Not the Remastered Version. :Having firmly established themselves as 'The Grateful Dead of the South' via their enormously successful 1971 Live at the Fillmore East double album, the Allman Brothers had just begun work on a new studio collection when slide guitarist Duane Allman died in a motorcycle accident. Undaunted, the group rallied together and completed Eat a Peach, which, via inclusion of the 34-minute-plus 'Mountain Jam,' blossomed into a double LP. While keyboardist-singer Gregg Allman shone on tracks like Sonny Boy ...

The Complete Recordings

The Complete Recordings

»rank: 2340

by: Robert Johnson


: :This two-CD box contains all 41 recordings Johnson made, including 12 alternate takes, and each cut remains a classic. This set's release in 1990 caused quite a stir, selling more than 500,000 copies, and, on the basis of endorsements from Eric Clapton and Keith Richards, introduced a great number of rock fans to Delta blues. Amazingly, Johnson built his enormous legacy on the strength of just two recording sessions: the first session, in November of 1936, produced among others 'l Believe l'll Dust ...

Songlines

Songlines

»rank: 3080

by: The Derek Trucks Band


: :Just in his mid-twenties when this album was released in early 2006, the guitar tone of Allman Brothers Band guitarist Derek Trucks (nephew of founding drummer Butch) has become one of the most recognizable sounds to be squeezed out of the instrument. Snake-like, swampy, and filled with tense soul, his slide work has been compared to Ry Cooder's, and perhaps inevitably, to Duane Allman's. 0n his first album of new studio material in four years, Trucks steers his malleable band through a heady ...

Beginnings

Beginnings

»rank: 4486

by: The Allman Brothers Band


: essential recording:For once, a record label actually gives us more bang for the buck, combining two indisputable classics--1969's self-titled debut and the 1970 follow-up ldlewild South--onto one glorious CD. Five urgent notes kick off Spencer Davis's 'Don't Want You No More,' and by the time that searing instrumental morphs into Gregg Allman's superb slow blues 'lt's Not My Cross to Bear,' it's clear these Georgians mean business. Everyone talks of the Muddy Waters and Willie Dixon covers, the furious twin leads of ...


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On her eighth studio album, Damita Jo--the title lifted from her middle name--Janet Jackson teams up with Jimmy Jam and Terry Lewis once again on what is perhaps the most feverish album in her two decade long career. Whether she's taking the listener on a torrid excursion in the four song island suite, or boasting of her sexual prowess on "Sexhibition's" word games lyrics, where she tells fans "relax, it's just sex," the singer tries hard--maybe too hard--to establish herself as a sexual avatar with portfolio. But in "Strawberry Bounce," she seems more like a pole dancer in stilettos than a social revolutionary, as she catalogs the way she plans to make her inamorato lose control, and she just sounds silly on "Moist," which extols the female orgasm. Instead, the best moments on the album are when Jackson comes off as saucy and winsome instead of a heavy breather, like on the down-tempo "Thinkin' Bout My Ex," her collaboration with Babyface, which seems lifted right out of her autobiography, and on the athletic Prince clone "Just A Little While." The title track is Jackson's own version of J-Lo's "Jenny On the Block," and she sounds just as insincere as Lopez when she tried to convince us that she was just an ordinary neighborhood diva. Instead, Janet’s much more persuasive when she joins up with hip-hop savant Kanye West on "My Baby," pairing her breathy, little girl vocals to his sharp, focused rap. Then and only then does Damita Jo sound like love can actually trump sex. --Jaan Uhelszki




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