The Memory of Trees


 

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And Winter Came

And Winter Came

»rank: 3

by: Enya


: :Twenty years after her landmark Watermark album, Enya's seventh studio disc, And Winter Came continues a phenomenally successful career that has included more than 70 million albums sold worldwide. And Winter Came is an enchanting evocation of the changing landscape of winter as well as the festive cheer of the holidays. 0ne of the most successful female artists of all-time, and second only to U2 as the biggest selling lrish artist in history, Enya brings her beguiling and ethereal music to bear on ...

Paint the Sky with Stars:  The Best of Enya

Paint the Sky with Stars: The Best of Enya

»rank: 357

by: Enya


: essential recording:New Age diva Enya first became widely known when her 1988 album Watermark sold 4 million copies and launched the single '0rinoco Flow.' Her follow-up, Shepherd Moons, was even more successful, selling over 10 million copies despite its slightly lower grade of ethereal enchantment. ln 1997 she released Paint the Sky with Stars, an assortment of her best work from these two early albums plus gems from 1995's The Memory of Trees and the soundtrack to the BBC series The Celts. ...

Christmas Secrets

Christmas Secrets

»rank: 353

by: Enya


: essential recording:New Age diva Enya first became widely known when her 1988 album Watermark sold 4 million copies and launched the single '0rinoco Flow.' Her follow-up, Shepherd Moons, was even more successful, selling over 10 million copies despite its slightly lower grade of ethereal enchantment. ln 1997 she released Paint the Sky with Stars, an assortment of her best work from these two early albums plus gems from 1995's The Memory of Trees and the soundtrack to the BBC series The Celts. ...

A Day Without Rain

A Day Without Rain

»rank: 701

by: Enya


: :As each new Enya release has washed over all who have ears to hear, as each heaven-touched work leaves admirers sitting speechless in slack-jawed wonder, questions eventually come to mind: Might her layered, choral-like approach gradually become predictable or stale? Will she ever exhaust her deep reservoir of soul-stirring ideas? Remarkably, A Day Without Rain, Enya's fourth release since her 1988 breakthrough, Watermark, establishes new artistic heights for the gifted lrish vocalist and keyboardist. The project, polished and refined over a five-year period ...

Watermark

Watermark

»rank: 673

by: Enya


: essential recording:Enya's 1988 recording Watermark achieved landmark success with her groundbreaking use of multi-tracking technology to fuse new age and Celtic themes and instrumentation. The meticulous production defines her sound and achieves continuity even while weaving together tender ballads, piano pieces, massively layered vocal harmonies, and symphonic synthesizer movements. Although Enya's pristine voice isn't especially strong, her lead vocals possess a vulnerability that reflects the lyrics' sense of personal searching. From the ubiquitous, frothy single '0rinoco Flow' (which was used to hawk ...

Amarantine

Amarantine

»rank: 900

by: Enya


: :The first album in five years from Enya follows the biggest-selling album of her illustrious career, the six-times platinum A Day Without Rain, which transcended all commercial expectations. Having sold more than 50 million albums worldwide, Enya is one of the most successful female artists of all time and second only to U2 as the biggest selling lrish artist in history. :From the first blanket of choral voices awash in reverb, Amarantine is instantly recognizable as a product of Enya, the lrish ...

Shepherd Moons

Shepherd Moons

»rank: 1120

by: Enya


: essential recording:The success of her first international hit, Watermark, confirmed Enya as less a singer or songwriter than a sonic architect: working with producer Nicky Ryan and his wife, lyricist Roma Ryan, the classically-trained pianist built vaulting cathedrals of sound, framed by luminous piano, shimmering synthesizer orchestrations, and, above all, the seemingly infinite layers of vocal harmonies she plied on every song. The deeply romantic Celtic pop on its 1991 successor, Shepherd Moons, sustains the same spectrum of hushed reverie and surging, ...

The Lord of the Rings: The Fellowship of the Ring

The Lord of the Rings: The Fellowship of the Ring

»rank: 1176

from: Reprise / Wea


: :Score composer Howard Shore has informed this first installment of the Lord of the Rings trilogy with his distinctly modern sensibilities. Revolving loosely around a brief, heroic brass theme, this epic is infused with a powerful rhythmic thrust and a musical range that encompasses centuries (from the Renaissance pastoralism of 'Concerning Hobbits' to the fiery, Prokofiev-influenced drama of 'A Knife in the Dark'). Key to the score's sense of mystery and magical place are the rich choral passages that are interspersed throughout, some ...

The Celts

The Celts

»rank: 1510

by: Enya


: :Born Eithne Ni Bhraonain, this classically-trained pianist was kid sister in the musical family that became Clannad, joining the lrish band in 1979 but dropping out amicably three years later to pursue her own muse. This music, produced in the mid-'80s as the soundtrack to a BBC series, was released as her debut in 1987 and promptly ignored--yet its mix of atmospheric soundscapes and Enya's lush, layered vocals, sung in both English and Gaelic, is the template for her subsequent global hits, beginning ...

The Memory of Trees

The Memory of Trees

»rank: 2062

by: Enya


: :To many people, Enya has become synonymous with new age music. Her haunting voice, clear and crisp above richly woven musical arrangements and adaptations, represents some of the best in the genre. Her performances on The Memory of Trees justify the Celtic songster's reputation. Songs like 'China Roses' and 'Hope Has a Place' complement the simple elegance of traditional folk music with luxuriantly layered instrumentation and highly crafted studio production. The ultimate effect is dazzling, to be sure. Whether she sings in English, ...


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by Patricia A. Floyd, Sandra E. Mimms, Caroline Yelding
$75.61

Average customer rating: ISBN: 0534581080

by Robin Robertson
$13.45

Average customer rating: 4.5 ISBN: 1594861234
$13.97



With the help of producer/songwriters William Orbit, Mark Ronson, Jerry Meehan, Joey Negro and Soul Mekanik (plus guests as diverse as The Pet Shop Boys and Lily Allen), Robbie Williams has achieved a most radical transformation. Gone is the slick, pop-rogue of yesteryear: in his place is a new Robbie that raps, embraces club beats and (mostly) favours personal indulgence over cheesy, universal pop. Recent single "Rudebox", all electronic riddims and slack-rap vocal delivery, was just the start of this transition. The rest of Rudebox completes the remarkable overhaul with several eclectic covers - from Manu Chau's "Bongo Bong" and Lewis Taylor's underground classic "Lovelight," to subversive takes on The Human League ("Louise"), My Robot Friend ("We're The Pet Shop Boys") and Stephen Duffy ("Kiss Me") – and tracks such as "Keep On", "Good Doctor" and "Dickhead", which confirm his quite bewildering quest to becoming a comedic, Staffs-accented version of The Streets.

Slightly more serious are his attempts at what he describes as 'wonky pop'. Songs like "Viva Life On Mars", his odd ode to Madonna ("She's Madonna"), the dark "The Actor" and catchy club-hit-in-waiting "Never Touch That Switch" all feature innovative production and interesting arrangements. Toward the end, we get "The 80s" and "The 90s", two more amusing "rap"-tracks that cover the singer's adolescence and his Take That years respectively; these underline the nostalgic, end-of-an-era feel of the LP. Audaciously eclectic and admirably upfront, Rudebox is overtly a form of personal catharsis. Not all the experiments work, but they're better than you might think, and now they're off his chest it'll be interesting to see where the new Robbie Williams heads to next.--Paul Sullivan
$14.99



Greatest Hits chronicles the remarkable journey of Mr Robert Williams, from being the "fat dancer from Take That" (c. Noel Gallagher) to the multi-million pound jewel in EMI’s crown. Assembled in chronological order, all the hits are here, except for his initial solo outing "Freedom", and it’s interesting to see how his sound evolves from wannabe Britpop buffoon on the sub-Oasis pubrock of "Old Before I Die" to the subtle captivating melodies of "Feel" and "Come Undone". There are so many great tracks that it’s impossible to list them all, but highlights have to be the barnstorming "Let Me Entertain You", the bouncy, floor-filling "Rock DJ" and the song that madeth the man, "Angels". The two latest additions to his canon--"Radio" and "Misunderstood" clearly have one eye on the past, the other on the future – with the latter an instant classic Robbie ballad from the Bridget Jones 2 soundtrack and the former a foray into the world of electro pop that sounds like a warped Human League track from the 1980s. This has to be Robbie’s forte, his ability to make great pop records that always sound fresh and full of energy. Every home should have a copy of this album, and chances are, by the end of 2004, most of them will. -- Melanie Wilkin




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