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Here and Gone»rank: 732by: David Sanborn
: :0n 'Here and Gone,' David Sanborn places his saxophone squarely within the context of the jazz-inflected pop music history that he himself has long been a part of. And while it was conceived as a tribute to his heroes, it inevitably traces his own development as the man who has heroically taken the saxophone to the next level. Few musicians are so closely identified with their instrument that they overshadow their peers, but the iconic David Sanborn truly merits his singular position ... |
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Double Vision»rank: 20391by: Bob James, David Sanborn
: :0n 'Here and Gone,' David Sanborn places his saxophone squarely within the context of the jazz-inflected pop music history that he himself has long been a part of. And while it was conceived as a tribute to his heroes, it inevitably traces his own development as the man who has heroically taken the saxophone to the next level. Few musicians are so closely identified with their instrument that they overshadow their peers, but the iconic David Sanborn truly merits his singular position ... |
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Pearls»rank: 17058by: David Sanborn
: :0n 'Here and Gone,' David Sanborn places his saxophone squarely within the context of the jazz-inflected pop music history that he himself has long been a part of. And while it was conceived as a tribute to his heroes, it inevitably traces his own development as the man who has heroically taken the saxophone to the next level. Few musicians are so closely identified with their instrument that they overshadow their peers, but the iconic David Sanborn truly merits his singular position ... |
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Upfront»rank: 62335by: David Sanborn
: :lt may come as a surprise to some that David Sanborn, the smooth-toned alto saxophonist who has become one of the most imitated players of the post-fusion era, got his start blowing red-hot blues charts with one of Paul Butterfield's better lineups. Certainly Sanborn has gone on to slicker, more technically challenging, horizons. This 1992 set is a fairly typical major-label moneyfest lined with big-ticket studio studs, an undoubtedly huge production budget and the obligatory celebrity walk-on (guitarist Eric Clapton). Marcus Miller plays ... |
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Timeagain»rank: 35011by: David Sanborn
: :lt's not hyperbole to say that this is Sanborn's best record since his Warner Brothers heyday of the '80s. The same can be said of the quality of the musicians gathered for the alto saxophonist's first album for Verve. The material may be the best he's ever assembled, with many cover tunes that are singularly identified with other artists, yet he redefines them. None of those words are meant to disparage those Grammy-winning gold albums of yore, it just his high standards have ... |
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Backstreet»rank: 53149by: David Sanborn
: :lt's not hyperbole to say that this is Sanborn's best record since his Warner Brothers heyday of the '80s. The same can be said of the quality of the musicians gathered for the alto saxophonist's first album for Verve. The material may be the best he's ever assembled, with many cover tunes that are singularly identified with other artists, yet he redefines them. None of those words are meant to disparage those Grammy-winning gold albums of yore, it just his high standards have ... |
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Moonlighting: The Television Soundtrack Album»rank: 39795by: Bob James and David Sanborn
: :lt's not hyperbole to say that this is Sanborn's best record since his Warner Brothers heyday of the '80s. The same can be said of the quality of the musicians gathered for the alto saxophonist's first album for Verve. The material may be the best he's ever assembled, with many cover tunes that are singularly identified with other artists, yet he redefines them. None of those words are meant to disparage those Grammy-winning gold albums of yore, it just his high standards have ... |
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A Change of Heart»rank: 54997by: David Sanborn
: :lt's not hyperbole to say that this is Sanborn's best record since his Warner Brothers heyday of the '80s. The same can be said of the quality of the musicians gathered for the alto saxophonist's first album for Verve. The material may be the best he's ever assembled, with many cover tunes that are singularly identified with other artists, yet he redefines them. None of those words are meant to disparage those Grammy-winning gold albums of yore, it just his high standards have ... |
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The Best of David Sanborn»rank: 17290by: David Sanborn
: :lt's not hyperbole to say that this is Sanborn's best record since his Warner Brothers heyday of the '80s. The same can be said of the quality of the musicians gathered for the alto saxophonist's first album for Verve. The material may be the best he's ever assembled, with many cover tunes that are singularly identified with other artists, yet he redefines them. None of those words are meant to disparage those Grammy-winning gold albums of yore, it just his high standards have ... |
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As We Speak»rank: 116732by: David Sanborn, Michael Sembello, Marcus Miller
: :lt's not hyperbole to say that this is Sanborn's best record since his Warner Brothers heyday of the '80s. The same can be said of the quality of the musicians gathered for the alto saxophonist's first album for Verve. The material may be the best he's ever assembled, with many cover tunes that are singularly identified with other artists, yet he redefines them. None of those words are meant to disparage those Grammy-winning gold albums of yore, it just his high standards have ... |



